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On a recent set up day at a Stanley/Black&Decker meeting I had 6 Opti Tri Pars behind a lecturn as uplights on dark blue velour drape . In 4 channel mode the DP set the master at 50% and the RGB around 45% , it came out looking blue . Don't know why he chose this route but that's what he liked . As I was about to leave for the day the DP told me the uplights were flickering . He brought me to the makeshift editing room to view some of the test tape they shot . It was not a "flicker" or "roll" , it looked like a water effect behind the lecturn . While the "effect" looked very cool it definitly was not what they were looking for .
Back in the room I set the master to full and the B channel to full , put a sheet of Roscoe #98 (to dim them) over the lights and problem solved .
The cameras were Sony HD's (don't know the model but they cost around $15k each) . The screens we viewed the "effect" on were TFT's . One of the video people said the "effect" didn't show up on his plasma monitor .
I suspect a refresh rate issue .
Anybodies thoughts ?????????

I sure did like that "water effect" though lol .
Original Post
Were they shooting in 24p, 30p, or 60i? The issue might be they shot in a faster FPS mode which caused the effect.

The refresh rate on the TFT vs the Plasma might have been different and thus caused the difference in view.

Last thing is when you put the R98 over the fixtures, did you run the channels back up to full? Since LEDs dim with PWM (Pulse-width modulation), they basically strobe really fast so that eyes perceive them as 'dim'. If this is the case, then it would lead me to believe that they are over driving the FPS on the camera/s.

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